Posted by Chandra Ward,
ATLANTA, GA -- On March 9th the East Atlanta Village, in conjunction
with Living Walls Atlanta (LWA), hosted a block party which turned the village into
an open art gallery for the public's viewing enjoyment. The works on display ranged from knitted
bicycles draped along the sidewalk from Knitterati, to large murals splayed
against walls behind businesses and tucked away clandestinely between
alleyways. Local vendors were also
present along the streets. As a matter of fact, in an outside market area these vendors were peddling anything from
homemade soaps and natural beauty products, to clothing constructed from
multiple pieces of recycled clothing.
LWA is
responsible for a number of murals and street art that has garnered a lot of
attention, both positive and negative, around the city. One of the more controversial projects was a
mural, which some of the residents interpreted as “demonic,” located in the
Pittsburgh neighborhood of Atlanta. The
mural, work of Living Walls' artist Roti
of France, sparked a firestorm of public debate which ultimately resulted in
some residents painting over the mural with thick gray paint.
A member of LWA told me that the organization's purpose is to facilitate community engagement
through art as opposed to outsiders inserting art into the community without community involvement. Her take on
the organization's purpose is perhaps an attempt to avoid the Pittsburgh
“demonic” mural debacle. The East
Atlanta Village Block Party was a great vehicle for the vision presented by that member. It was a collaboration between LWA and neighborhood businesses to create an event for the community. And, at least in part involved the community.
A project such as LWA is one which ignites the debate over how and by whom public space
should be utilized. As an artistic
community intervention of public space LWA, I believe, helps to keep
communities unique and people driven.
LWA helps to take a space or wall that would otherwise be ignored and
forgotten, and replaces it with art that can spark social commentary or evoke a
sense of awe that only nature and art can bring about in the public
imaginary. However, as LWA has learned,
without community involvement despite the best of intentions, the same endeavors
can spark animosity and distrust.
Chandra D. Ward is a Doctoral student in the Sociology
Department at Georgia State University. She is also Social Shutter’s Assistant
Editor. You can contact her at chandrdward@gmail.com.
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